Why We Exist
/ The Problem
The rise of single-track music libraries and “unlimited music plans” has created a landscape that doesn’t champion original scores for projects with smaller budgets. The lack of musical identity and the inability to edit that music severely limits directors’ and editors’ ability to support the individual story they are telling. Edit/Score was created as a solution to this problem.
/ The Solution
Edit/Score albums were written with musical identity in mind, consisting of tracks with similar themes, chord progressions, instrument groups, and consistent production throughout.
Each album is delivered with every stem that makes up the original tracks. These stems give you the ability to create alternate versions, as well as imagine completely new pieces of music that fit your story’s musical identity. This level of creative control allows you to edit the score any way you see fit.
While original scores will always be the gold standard to support stories, Edit/Score offers an affordable and artistic approach to creating the score you need.
Our Team
Amos Cochran - Founder
Since 2011, Amos has been working with creatives to write original scores for their stories. His work has been showcased at Sundance, Berlin & Toronto International Film Festivals, Netflix, NPR Music and PBS. More about Amos here.
Anton Rasmussen - Album Mixer
Anton is currently the lead Mix Engineer at SÓL Studios. He graduated from Berklee College of Music and has worked with a lot of neat people, including a time at Hans Zimmer’s Remote Control Studios. More about Anton here.
Heli Mistry - Graphic & Web Design
Heli tells stories through neat design, plays viola , and likes to rock climb. More about Heli here.
Matt Rogers - Legal
Matt has been working in entertainment law for many years, loves to ride bikes and sit on the boards of film festivals. More about Matt here.